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Grammatical Commentaries



Acosta-Hughes, Benjamin. 2010. “Preserving Her Aeolic Song: Traces of Alexandrian Sappho.” In Arion’s Lyre: Archaic Lyric into Hellenistic Poetry, 12–61. Princeton and Oxford: Princeton University Press.
Acosta-Hughes, Benjamin. 2010. Arion’s Lyre : Archaic Lyric into Hellenistic Poetry. Princeton: Princeton University Press.
Alexiou, Margaret, Dimitrios Yatromanolakis, and Panagiotis Roilos. 2002. The Ritual Lament in Greek Tradition. 2nd ed. Greek Studies. Lanham, MD: Rowman & Littlefield.
Ancona, Ronnie. 2002. “The Untouched Self: Sapphic and Catullan Muses in Horace, Odes I. 22.” In Cultivating the Muse: Struggles for Power and Inspiration in Classical Literature, edited by Efrossini Spentzou and Don Fowler, 161–86. Oxford: Oxford University Press.
Annis, William A. 2002. “Sappho.” Aoidoi. 2007 2002. http://aoidoi.org/poets/sappho/.
Annis, William S. 2005. “Sappho 1.” Aoidoi.Og. 2005. http://aoidoi.org/poets/sappho/sappho-1.pdf.
Balmer, Josephine. 1992. Sappho: Poems & Fragments. Newcastle upon Tyne: Bloodaxe Books.
Bastianini, Guido, and Angelo Casanova, eds. 2007. I Papiri Di Saffo e Di Alceo: Atti Del Convegno Internazionale Di Studi, Firenze, 8-9 Giugno 2006. Studi e Testi Di Papirologia. Nuova Serie 9. Firenze: Istituto papirologico G. Vitelli.
Bierl, Anton. 2009. “‘Ich Aber (Sage), Das Schönste Ist, Was Einer Liebt!’ Eine Pragmatische Deutung von Sappho Fr. 16 LP/V.” Articles and Essays Curated by the Center for Hellenic Studies. http://www.chs.harvard.edu/CHS/article/displayPdf/1245.
Bierl, Anton. 2009. “Der Neue Sappho-Papyrus Aus Köln Und Sapphos Erneuerung: Virtuelle Choralität, Eros, Tod, Orpheus Und Musik.” Articles and Essays Curated by the Center for Hellenic Studies. http://www.chs.harvard.edu/CHS/article/display/2122.
Bierl, Anton. 2010. “Sappho in Athens: Reperformance and Performative Contextualizations of the New Cologne Papyrus, or Old Age and Rejuvenation through Chorality.” Athens Dialogues E-Journal. http://athensdialogues.chs.harvard.edu/cgi-bin/WebObjects/athensdialogues.woa/1/wo/rff0CL4DlMilyWBfXNRNNg/
Bierl, Anton, and André Lardinois. 2016. The Newest Sappho: P. Sapph. Obbink and P. GC Inv. 105, Frs. 1-4. Mnemosyne Supplements, Vol. 392. Studies in Archaic and Classical Greek Song, Vol. 2. Leiden: Brill. https://edoc.unibas.ch/52685/1/9789004314832_webready_content_text-1.pdf.
Budelmann, Felix. 2009. The Cambridge Companion to Greek Lyric. Cambridge and New York: Cambridge University Press.
Burris, Simon, Jeffrey Fish, and Dirk Obbink. 2014. “New Fragments of Book 1 of Sappho.” Zeitschrift Für Papyrologie Und Epigraphik 189: 1–28. https://newsappho.files.wordpress.com/2015/01/zpe-189-burris-fish-obbink.pdf.
Caciagli, Stefano. n.d. “Lesbos Between Athens and Sparta.” CHS Research Bulletin. Accessed October 23, 2015. http://www.chs-fellows.org/2012/11/30/lesbos-between-athens-and-sparta/.
Caciagli, Stefano. 2012. “Do the Fragments Lie Too? Heteric Sappho or Sappho Schoolmistress.” CHS Research Bulletin. December 21, 2012. http://www.chs-fellows.org/2012/12/21/do-the-fragments-lie-too-heteric-sappho-or-sappho-schoolmistress/.
Calame, Claude. n.d. “From Greek Lyric to Rap Song: A New Swiss Sappho? (An Impertinent Comparison).” Donum Natalicium Digitaliter Confectum Gregorio Nagy Septuagenario a Discipulis Collegis Familiaribus Oblatum. http://chs.harvard.edu/CHS/article/display/4634.
Calame, Claude. 1977. Choruses of Young Women in Ancient Greece : Their Morphology, Religious Role, and Social Functions. New and rev. ed. Greek Studies. Lanham: Rowman & Littlefield. http://chs.harvard.edu/CHS/article/display/4309.
Calame, Claude. 1977. “The Function of the Lyric Chorus.” In Choruses of Young Women in Ancient Greece: Their Morphology, Religious Role, and Social Functions, translated by Derek Collins and Janice Orion, 207–63. Lanham: Rowman & Littlefield. http://chs.harvard.edu/CHS/article/display/3744.
Campbell, David A., ed. 1982. Greek Lyric: Sappho and Alcaeus. Vol. I. Loeb Classical Library 142. Cambridge: Harvard University Press.
Capra, Andrea. 2015. “Erato.” In Plato’s Four Muses: The Phaedrus and the Poetics of Philosophy. Hellenic Studies 67. Washington, DC and Cambridge: Harvard University Press. http://chs.harvard.edu/CHS/article/display/5793.
Carson, Anne. 2003. If Not, Winter: Fragments of Sappho. New York: Vintage Books.
Compton, Todd. 2006. “Sappho: The Barbed Rose.” In Victim of the Muses: Poet as Scapegoat, Warrior, and Hero in Greco-Roman and Indo-European Myth and History. Hellenic Studies 11. Washington, DC and Cambridge: Harvard University Press. http://chs.harvard.edu/CHS/article/display/4919.
DuBois, Page. 1995. Sappho Is Burning. Chicago: University of Chicago Press.
Ferrari, Franco. 2010. Sappho’s Gift: The Poet and Her Community. Translated by Benjamin Acosta-Hughes and Lucia Prauscello. Ann Arbor: Michigan Classical Press.
Ferrari, Franco. 2014. “Sappho and Her Brothers, and Other Passages from the First Book.” Zeitschrift Für Papyrologie Und Epigraphik 192: 1–19. http://www.papyrology.ox.ac.uk/Fragments/Translation.Ferrari.i.15.pdf.
Greene, Ellen, ed. 1996. Re-Reading Sappho: Reception and Transmission. Classics and Contemporary Thought 3. Berkeley: University of California Press.
Greene, Ellen, ed. 1996. Reading Sappho: Contemporary Approaches. Classics and Contemporary Thought 2. Berkeley: University of California Press.
Greene, Ellen, and Marilyn B. Skinner, eds. 2009. The New Sappho on Old Age: Textual and Philosophical Issues. Hellenic Studies 38. Washington, DC and Cambridge: Center for Hellenic Studies. http://www.chs.harvard.edu/CHS/article/display/6047.
Gribble, David. 2016. “Getting Ready to Pray: Sappho’s New « Brothers » Song.” Greece and Rome: Journal of the Classical Association Ser. 2, 63 (1): 29–68. https://doi.org/10.1017/S0017383515000248.
Gronewald, M., and R. W. Daniel. 2004. “Ein Neuer Sappho-Papyrus.” Zeitschrift Für Papyrologie Und Epigraphik 147: 1–8.
Johnson, Marguerite. 2009. “A Reading of Sappho Poem 58, Fragment 31 and Mimnermus.” In The New Sappho on Old Age: Textual and Philosophical Issues, 162–75. Washington DC: Center for Hellenic Studies. http://chs.harvard.edu/CHS/article/display/6035.
Johnson, Marguerite. 2007. Sappho. Ancients in Action. Bristol: Bristol Classical.
Kivilo, Maarit. 2010. Early Greek Poets’ Lives: The Shaping of the Tradition. Vol. 322. Mnemosyne Supplements : Monographs on Greek and Roman Language and Literature. Leiden ; Boston: Brill.
Kurke, Leslie. 2007. “Greek Archaic Poetry.” In The Cambridge Companion to Archaic Greece, 141–68. Cambridge: Cambridge University Press.
Lardinois, André. 2001. “Who Sang Sappho’s Songs?” In Reading Sappho: Contemporary Approaches, edited by Ellen Greene, 150–72. Berkeley: University of California Press.
Lardinois, André. 2001. “Keening Sappho: Female Speech Genres in Sappho’s Poetry.” In Making Silence Speak: Women’s Voices in Greek Literature and Society, edited by André Lardinois and Laura K. McClure, 75–92. Princeton: Princeton Universtiy Press.
Lardinois, André. 1994. “Subject and Circumstance in Sappho’s Poetry.” Transactions of the American Philological Association 124 (January): 57–84. http://www.jstor.org/stable/284286.
Lardinois, André, and Laura McClure. 2001. Making Silence Speak: Women’s Voices in Greek Literature and Society. Princeton: Princeton University Press.
Liberman, Gautier. 2014. “Reflections on a New Poem by Sappho Concerning Her Anguish and Her Brothers Charaxos and Larichos.” In . http://www.papyrology.ox.ac.uk/Fragments/Liberman.FIEC.Bordeaux.2014.pdf.
Lobel, Edgar, and Denys Lionel Page. 1955. Poetarum Lesbiorum fragmenta. Oxford: Clarendon Press.
MacInnes, Jack. 2015. Sappho: Love and Life on Lesbos. BBC Four. https://www.youtube.com/watch?v=Clb_FqO40Gk.
Mazza, Roberta. 2015. “The New Sappho Fragments Acquisition History: What We Have Learnt So Far.” Faces & Voices: People, Artefacts, Ancient History. January 15, 2015. https://facesandvoices.wordpress.com/2015/01/15/the-new-sappho-fragments-acquisition-history-what-we-have-learnt-so-far/.
Mazza, Roberta. 2019. “The Green Fiasco in Context.” Medium. November 7, 2019. https://eidolon.pub/the-green-fiasco-in-context-f6f6d2c87329.
Mendelsohn, Daniel. 2015. “Hearing Sappho.” The New Yorker, March 12, 2015. http://www.newyorker.com/books/page-turner/hearing-sappho?mbid=social_facebook.
Miller, Paul Allen. 1993. “Sappho 31 and Catullus 51: The Dialogism of Lyric.” Arethusa 26: 183–99.
Nagy, Gregory. 2007. “Lyric and Greek Myth.” In The Cambridge Companion to Greek Mythology, 19–51. Baltimore: Johns Hopkins University Press. http://www.chs.harvard.edu/CHS/article/display/2654.
Nagy, Gregory. 2012. “Transmission of Archaic Greek Sympotic Songs: From Lesbos to Alexandria.” In Short Writings. Vol. II. Center for Hellenic Studies. http://www.chs.harvard.edu/CHS/article/display/4248.
Nagy, Gregory. 2007. “Did Sappho and Alcaeus Ever Meet? Symmetries of Myth and Ritual in Performing the Songs of Ancient Lesbos.” In Literatur Und Religion I. Wege Zu Einer Mythisch–Rituellen Poetik Bei Den Griechen, edited by Anton Bierl, R Lammle, and Katharina Wesselmann, 211–69. Berlin and New York. http://www.chs.harvard.edu/CHS/article/display/2197.
Nagy, Gregory. 2013. “Part I. Hour 4. Achilles as Lyric Hero in the Songs of Sappho and Pindar.” In The Ancient Greek Hero in 24 Hours. Cambridge: Harvard University Press. http://chs.harvard.edu/CHS/article/display/5946.
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Source: https://digitalsappho.org/bibliography/